Light Infantry
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Military Uniform Prints of Light Infantry, Ox and Bucks, King's Own Yorkshire and Duke of Cornwall Light Infantry, and the Rifle Brigade by Harry Payne , published by Cranston Fine Arts.

Duke of Cornwall Light Infantry by Harry Payne.

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Open edition print. £14.00

Duke of Cornwall Light Infantry by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0029

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The Battered Band by David Pentland. (P)

The Battered Band by David Pentland. (P)

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Kings Own Yorkshire Light Infantry by Harry Payne.

Ready to purchase from our secure site?
Click the editions below.

Open edition print. £14.00

Kings Own Yorkshire Light Infantry by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0032

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Breaking the Silence by Keith Aspinall. (B)

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Ambush at Kardalan Fields, 18th January 2007 by David Rowlands.

Ambush at Kardalan Fields, 18th January 2007 by David Rowlands.

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Durham Light Infantry by Harry Payne.

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Click the editions below.

Open edition print. £14.00

Durham Light Infantry by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0030

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Crossing the Helmand by David Pentland.

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Distant Dispersal by Graeme Lothian. (E)

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Shropshire Light Infantry by Harry Payne.

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Open edition print. £14.00

Shropshire Light Infantry by Harry Payne.

Open edition print. Image size 7 inches x 12 inches (18cm x 31cm). Price £14.00

ITEM CODE UN0031

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Golden Arrow by Terence Cuneo.

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Red Section Scramble by Ivan Berryman.

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Duke Of Cornwall’s Light Infantry       The two battalions forming this regiment both had West Country county titles before the amalgamation of 1881, previous to which date they had been simply “linked.”  The 1st battalion (the 32nd) was styled the “Cornwall Light Infantry” (receiving its county title in 1782, and the Light Infantry designation in1858), the 2nd, the 46th (the South Devonshire), was raised in 1702 as Colonel George Villiers’ Regiment of Marines.    The 32nd was commanded in turn by Fox and Borr, and served afloat until 1713, when it was disbanded, but speedily reappeared as a regular Line regiment on the Irish establishment.  During its marine service it had served in the Cadiz expedition, and at Vigo Bay; in the defence of Gibralter in 1704, and in Spain afterwards under Peterborough and Galway.    It is reported to have fought at Dettingen and Fontenoy, returning to England to take part in the suppression of the Jacobite Rebellion of 1748’ but it soon returned to the Continent, to be under fire again at Val and other battles of the campaign.   From 1796 to 1798 it was at St. Domingo, where the loss in the first year to the regiment was 32 officers and nearly 1,000 men.  Its next war services were at Copenhagen in 1807, and Cadiz; then in the Peninsula at Roleia and Vimiera,and later on at Corruna; transferred to Walcheren, the 32nd suffered loss like other regiments, but returning to the Peninsula, did good service at Badajoz, at Salamanca and the Arapeles, at Burgos, Pampeluna, the Pyrenees, Nivelle, the Nive, and Orthes.  Nine of these names and “Peninsula” form the first on the regimental roll of fame; with “Dominica,” which came from the 46th.    Returning home at the peace, the regiment formed part of Picton’s Division in the campaign of 1815, and was present at Quatre Bras, Waterloo (when Kempt fell), and the occupation of Paris.   No further active service was undergone until between 1830-41, against the insurgents in Canada, when Lieutenant Weir was treacherously murdered; but in 1846 and 32nd embarked for India, and shared in the glories and dangers of Mooltan, Sorajkhoond, and Goojerat.  But the most glorious record of the 1st battalion of the Duke of Cornwell’s Light Infantry is that of the Mutiny.  Armed but with the “Brown Bess,” it held the Residency at Lucknow until relieved by Havelock, while a detachment of seventy men at Cawnpore, under Captain Moore, died the death of brave men, when treacherously betrayed into Nana Sahib’s hands.  Under Maxwell it fought at Calpee, Lucknow and Cawnpore (again), and in Oude and the Trans-Gorgra operations. Victoria Crosses were won at this time by Lieutenant  S. H. Lawrence, Captain H. G. Browne, Coporal W. Oxenham, and Private W. Dowling.    The 2nd battalion of the regiment existed from 1756 to 1763 (when it became the 71st), another was formed about 1796 and disbanded about 1802 and another existed from 1804 to 1814.    The present 2nd battalion (the 46th) arose thus:-With the increase to the Army and the Navy in 1741, appear regiments numbered from the 54th to the 60th.  One of these, the 57th, was present at the battle of Gladsmuir, near Prestonpans, and Falkirk; and on the general reduction of the army in 1748, when one Line and ten marine regiments were disbanded, it became the 46th, and wore yellow facings.       In 1757 it sailed for America, and suffered severely in the abortive attempt on Fort Ticonderoga, the siege of Fort Niagara, and the attack on Fort Leir during the conquest of Canada.  Thence it sailed to form part of the expedition against Martinique, Grenada, St. Lucia, and Havannah.  Returning to Great Britain, after a short stay it left again for America, where it landed in 1776, and took part in the battles of Long Island, White Plains, Fort Washington, Pecks Hill, Brandywine, Germanstown, and Monmouth Court House.         After a night attack made by the Light company (then forming with other such units a “light battalion”), shortly after Brandywine, in which some three hundred Americans were bayoneted, the enemy declared it would give no quarter to their assailants, whereupon the survivors of the attacking party dyed their feathers red to prevent others suffering in their stead.  The right for the Light company of the 46th to wear the red feather was confirmed in 1833, and, on the abolition of “light companies,” the whole battalion wore a red ball on the shako.   In 1778 the 46th embarked for St. Lucia; there it again distinguished itself, and was permitted in consequence to wear a white plume instead of the red and white tuft usually worn; but the light company still wore the white feather.   It took part in suppressing the Carib Insurrection of 1795, which, insignificant as it was, led to thirteen engagements and a loss of four-fifths of the regimental strength.  Its next active service was at Dominica in 1805.  There, attacked by a much more stronger body of French from Roseau, the 46th defended the town with the greatest bravery until obliged to abandon it and march across the island to Fort Prince Rupert.  For this gallant conduct against great odds the 46th was authorised to wear “Dominica” on the colours.  Detachments also served in a small naval engagement in 1806, and two years later took part in the capture of Martinique and Guadaloupe.  The regiment was in New South Wales and India from 1813 to 1832, seeing much trying service against bushrangers, etc., on the one station, and Mahratta insurgents on the other.     Present in the Crimean War, “Sevastopol” was added to the list of honours; and finally the regiment took an active part in the Egyptian campaign of 1882, where it fought at the two battles of Kassasin and Tel-el-Kebir. And shared in the Nile campaign of 1884-85.   When the regiments were numbered in 1751, the 32nd wore white facings and green linings to the coats.  The 46th wore yellow facings in 1881; now both wear white.  The buttons bear the bugle and Duke of Cornwall’s coronet; the collar the county badge, also coroneted, with the motto, “One and All.”  The helmet-plate has across the bugle-strap two red feathers (from the 46th), with below the turreted arch (in commemoration of the defence of Lucknow, in which the 32nd took so distinguished a part).  The Sphinx and “Egypt” appeared formerly on the appointments of the 46th.  The “United Red and White Rose” is the territorial badge.   The Militia battalion is the Royal Cornwall Rangers (1760), which was the first to volunteer for service in Ireland, when the men seem to have worn red, with blue facings.  In 1875 they were titled the “The Duke of Cornwall’s Own,” and were equipped as rifles, in green with black facings; in 1881 they ceased to be rifles.   The Volunteer battalions are the 1st Cornwall, Falmouth (grey and scarlet), the 2nd Cornwall, Bodmin (scarlet and white).   The 32nd seem to have had no pet name; but the 46th have been called “Murray’s Bucks,” after their colonel; the “Surprisers,” after the attack on Wayne’s brigade in 1777, when the red tuft was won; and the “Lacedemonians,” from their then colonel having once, when under fire, made a lengthy speech about the discipline of those people.   The depot is at Bodmin.   
 

 

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EDITIONS

Siberian Snow by Jonathon Truss Price : £40

Bengal Tiger by Anthony Gibbs. Price : £59

Junior by Lyndsey Selley Price : £83

Evening Glare by Anthony Gibbs Price : £106

Twice the Stripes by Jonathon Truss. Price : £40

ARTIST
Featured Artist - Anthony Gibbs



Anthony Gibbs was born in 1951 in Birmingham. He went to Bourneville School of Art for one year, but is mostly self-taught. His first one man show was in 1976 at the Colmore Galleries, with further one man exhibitions at this venue following, in 1977, 1978, 1981, 1983, 1988 and 1991. Anthony Gibbs had a one man exhibition Nature In Art at Wallsworth Hall, Gloucestershire in 2000. His first limited edition print released February 1988 - White Tigers Ever Watchful – was an edition of 1550, the largest edition of a limited print by Solomon and Whitehead at the time, and the largest order from the from the USA (650) they have ever had. He went to Kenya for the first time in February 1989, and is a member of the Society of Animal Artists in New York, The Woodland Trust. He won the Peoples Choice Award on a national tour exhibition of the USA in 1992 and 1993, with the Society of Animal Artists. Anthony Gibbs was awarded the Award of Excellence Medal from the Society in 1997 and 2001. He has exhibited at numerous venues across the USA with the Society of Animal Artists and also across Britain – exhibitions including the Mall Galleries, Nature In Art, Wildfowl And Wetlands Trust, London. He has sold work through both Christies and Sotherbys. Anthony Gibbs went to the Yellowstone National Park and Tetons National Park to study the wildlife and habitat in the U.S.A. in 2003.

Spotlight on Wildlife Artists

A newly available selection of superb wildlife art from some of the best known wildlife artists around.

A large variety of wildlife prints are now available from artists including Jonathon Truss, Anthony Gibbs and Lyndsey Selley. These prints are available at a discount price for a short time only, and some are on the verge of selling out. See the best of the prints by clicking the links or see more wildlife art at our website devoted to the subject : ArtAndPrints.co.uk

Jonathon TrussAnthony GibbsLyndsey Selly


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